| 论《爵士乐》的后现代身份叙事 |
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| 引用本文： | 刘晓露.论《爵士乐》的后现代身份叙事[J].西安电子科技大学学报(社会科学版),2011(5):78-81. |
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| 作者姓名： | 刘晓露 |
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| 作者单位： | 长沙学院外语系,湖南长沙,410003 |
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| 基金项目： | 湖南省教育厅科研基金一般项目“‘我’是谁？‘我们’是谁？--托妮·莫里森小说中身份构建的困境及其决择”;项目编号11C0108 |
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| 摘 要： | 《爵士乐》中“痕迹”与“裂缝”的双重意象揭示了白人文化冲击下黑人身份的错位与缺失。在对黑人身份进行重新建构的过程中，作者莫里森将爵士乐即兴变奏的特点变为文本的一种叙事策略，凸显了后工业社会中个体身份的流动性和不确定性，也为少数族裔在面临被边缘化的危机中实现自身独特的身份认同指出了一条可行性道路。
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| 关 键 词： | 痕迹 裂缝：身份重构 爵士乐 |
On the Postmodern Narrative of Identity in Jazz |
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| LIU XIAOLU.On the Postmodern Narrative of Identity in Jazz[J].Journal of Xidian University (Social Sciences Edition),2011(5):78-81. |
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| Authors: | LIU XIAOLU |
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| Institution: | LIU XIAOLU(Foreign Language Department,Changsha University,Changsha,410003,China) |
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| Abstract: | The double images of ＂trace＂ and ＂crack＂ in Jazz reveal the displacement and loss of black identity in the culture of white supremacy. During the reconstruction of black identity, Morrison chooses the improvised feature of jazz music as the narrative strategy of the novel. In this way, she shows the fluidity and uncertainty of individual identity in post-industrial society, and also points a possible way that ethnic minorities can realize their own unioue identitv in the crisis ofhein~ marcrinaliT~d |
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| Keywords: | Trace Crack Identity reconstruction Jazz |
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