| 神理范畴的审美现象学观照（审美论）——“体用一源”、“置心物中”与“诗意地栖居” |
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| 引用本文： | 王新勇.神理范畴的审美现象学观照（审美论）——“体用一源”、“置心物中”与“诗意地栖居”[J].湖北民族学院学报(自然科学版),2008,26(1):106-112. |
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| 作者姓名： | 王新勇 |
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| 作者单位： | 湖北民族学院文学与传媒学院 湖北恩施445000 |
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| 摘 要： | 神理范畴审美论是建立在神理范畴本体论：自然性、铺叙性和过程的整体显现；神理范畴的创作论：随物赋形、返朴归真和回归事物本身的基础之上的。强调在艺术对象之中和诗意地栖居。这种栖居或是在虚静中超越，或者是以平常心的豁达与旷放。
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| 关 键 词： | 体用一源 诗意地栖居 |
| 文章编号： | 1004-941(2008)01-0106-07 |
| 修稿时间： | 2007年12月20 |
On Shenli Paradigm from the Perspective of Aesthetic Phenomennology (On Aesthetics) |
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| WANG Xin-yong.On Shenli Paradigm from the Perspective of Aesthetic Phenomennology (On Aesthetics)[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2008,26(1):106-112. |
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| Authors: | WANG Xin-yong |
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| Institution: | WANG Xin - yong ( School of Literature, Journalism and Communication, Hubei Institute for Nationalities, Enshi 445000, China) |
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| Abstract: | The aesthetic theory of Shenli paradigm is based on the ontological theory of Shenli paradigm: natural character,narrativeness and the integral manifestation of course;the writing theory is based on that of entrusting drift with things,returning to nature and things themselves.This paradigm places its stress on the inner part of the artistic objects and the poetic living.The living either transcends itself in void,or becomes open-minded in a calm state of mind. |
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| Keywords: | one origin for principles and application living poetically |
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