略论后七子派后期诗歌运动

万历初期 ,后七子派规模急剧膨胀 ,呈现短期中兴 ,发生界内新变。王世贞晚年学道逃禅 ,疏冷笔砚 ,推崇诗歌“性灵”。新安诗群、末五子构成派中两大新人群体 ,新安诗群之兴与徽州“商而士”世风和汪道昆的推毂关联尤为密切 ;末五子的屠隆、赵用贤追求“性灵”文学 ,其“自适己性”、“师心独运”诗观可称公安派诗论的同声前奏 ,李维桢、胡应麟虽擅长论诗 ,但保守色彩较重。后七子派随着王世贞、汪道昆的谢世走向衰落 ,复古中坚李维桢无法挽回诗歌复古运动的颓局

On the Later Poetry of the Later Heptaschool of the Ming Dynasty

This essay deals with four aspects of the later poetry of the later Heptaschool (Hou Qi Zi, meaning the later Seven Poets): members of the school, the change of its leadership, gatherings of the poets, and their poetical theories. It also tries to analyze the change of the poetical style of Wang Shizhen (one member of the school) in his later years, the forming of a group of poets in Xin'an, and life and poetical theories of the Last Pentaschool (Mo Wu Zi, meaning the last Five Poets regarded as the successors of the Later Heptaschool), whereby we can have a clear idea of the history of the Heptaschool.