| 边缘化的江淹——江淹“才尽”原因新探 |
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| 引用本文： | 崔军红,侯冬梅.边缘化的江淹——江淹“才尽”原因新探[J].盐城师范学院学报,2003,23(2):44-46. |
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| 作者姓名： | 崔军红 侯冬梅 |
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| 作者单位： | 河南职业技术师范学院基础部 河南新乡453003
(崔军红),河南职业技术师范学院基础部 河南新乡453003(侯冬梅) |
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| 摘 要： | 江淹“才尽”与永明体的产生是同步发生的 ,其“才尽”与南朝诗歌的这种“新变”有直接的关系。江淹无法适应新的文学环境 ,也无力改变这种环境 ,更无意去适应它 ,于是便有“才尽”之讥。远离文坛主流的江淹 ,事实上已经被边缘化了
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| 关 键 词： | 江淹 永明体 南朝诗歌 |
| 文章编号： | 1003-6873(2003)02-0044-03 |
| 修稿时间： | 2002年12月11 |
Marginalized Jiang Yan--A Study of the Cause of Jiang Yan's "Talent Exhaustion" |
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| CUI Jun-hong,HOU Dong-mei.Marginalized Jiang Yan--A Study of the Cause of Jiang Yan's "Talent Exhaustion"[J].Journal of Yancheng Teachers College(Humanities & Social Sciences Edition),2003,23(2):44-46. |
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| Authors: | CUI Jun-hong HOU Dong-mei |
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| Abstract: | Jiang Yan's "talent-exhaustion" was simultaneous with the origin of Yongming style.His "talent-exhaustion" had the direct relationship with the "new change" of poems in the Southern Dynasties.Jiang Yan couldn't adapt himself to the new literary environment and had no ability to change it .Moreover, he had no intention of acclimatizing himself to it .So his "talent-exhaustion" became a laughing-stock.Far from the main stream of the literary world,he was actually marginalized. |
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| Keywords: | Jiang Yan Yongming style poems in the Southern Dynasties |
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