| 中国女性剧作主体性与悲剧审美的生成 |
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| 引用本文： | 潘超青.中国女性剧作主体性与悲剧审美的生成[J].厦门大学学报(哲学社会科学版),2010(2). |
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| 作者姓名： | 潘超青 |
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| 作者单位： | 厦门大学,海外教育学院,福建,厦门361005 |
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| 基金项目： | 2008福建社会科学规划项目"中国女性剧作的主体性及艺术建构" |
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| 摘 要： | 重新探讨中国女性剧作的思想价值和艺术价值,对建构完整的戏剧发展史观、扩展中国戏剧的研究空间意义重大.回顾女性剧作发展的历程,可以发现困扰女性写作主体性艰难形成的压抑性因素,而这恰恰铸就了女性剧作独特的悲剧审美意识.这种悲剧审美体现了对女性弱势处境的体察、对文化传统强烈而压抑的情绪记忆,以及与时代环境碰撞时非她莫属的悲剧色彩.
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| 关 键 词： | 中国女性剧作 主体性 悲剧审美 |
The Self-Awareness of Chinese Female Drama and the Establishment of Tragic Sensibilities |
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| PAN Chao-qing.The Self-Awareness of Chinese Female Drama and the Establishment of Tragic Sensibilities[J].Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences),2010(2). |
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| Authors: | PAN Chao-qing |
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| Institution: | PAN Chao-qing(Oversea Education College,Xiamen University,Xiamen 361005,Fujian) |
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| Abstract: | It makes great sense to expand the field of study on Chinese drama by making a fresh appraisal or evaluation of Chinese female drama. Some restrictive factors which prevent feminine self-awareness from coming into being can be discovered if we review the history of female drama. However these factors have also caused the establishment of tragic sensibilities which embody the understanding of women's situation, the emotional memory of traditional culture and the conflicts with the society and current thought... |
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| Keywords: | Chinese female drama the self-awareness tragic sensibilities |
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