| 石涛《画谱》的美学意义 |
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| 引用本文： | 胡光波. 石涛《画谱》的美学意义[J]. 湖北师范学院学报(哲学社会科学版), 2009, 29(6): 35-38 |
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| 作者姓名： | 胡光波 |
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| 作者单位： | 湖北师范学院,文学院,湖北,黄石,435002 |
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| 摘 要： | 石涛《画谱》在绘画起源问题上截断众源，首倡一画说，为画学找到了坚实基础，其作受直觉体验的禅思影响，避免了传统画论经验主义的局限性，不斤斤计较于已有的画法规则，而处处强调循法不拘于法、了法能贯通法的辩证思想，其美学思想逸出于绘画而昭示出艺术的共性。
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| 关 键 词： | 石涛 《画谱》 一画 |
The aesthetic significance of Shi Tao's Huapu |
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| HU Guang-bo. The aesthetic significance of Shi Tao's Huapu[J]. Journal of Hubei Normal University(Philosophy and Social Science), 2009, 29(6): 35-38 |
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| Authors: | HU Guang-bo |
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| Affiliation: | HU Guang-bo ( College of Literature, Iiubei Normal University, Huangshi 435002, China) |
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| Abstract: | About the origin of painting, Shi Tao＇s Huapu stopped all theories and advocated ＂ one line theory＂ . His theory, which was affected by buddhist thought of intuitive experience ,made a good base for painting and adoided the limit of experience. His aesthetic thought proved that Chinese poem and painting are the same source but different branch. |
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| Keywords: | Shi Tao Huapu one line |
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