| 论新月派戏剧创作──以《兵变》《一只马蜂》为例证 |
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| 引用本文： | 胡博.论新月派戏剧创作──以《兵变》《一只马蜂》为例证[J].齐鲁学刊,2001(5):132-135. |
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| 作者姓名： | 胡博 |
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| 作者单位： | 山东大学,文学院,山东,济南,250100 |
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| 摘 要： | 新月派剧作家以提倡“国剧”,以艺术地反映社会人生为己任,善于运用成熟的戏剧语言和戏剧技巧对戏剧主题进行完满的诠释,避免了社会问题剧直露地宣扬社会意识的弊病,从而为中国现代戏剧注入了艺术的新质,并由此获得了独立的戏剧品格和艺术个性。
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| 关 键 词： | 新月派戏剧创作 《兵变》 《一只马蜂》 |
| 文章编号： | 1001-022X(2001)05-0132-04 |
| 修稿时间： | 2001年1月18日 |
On the Drama Writings of Xinyue Style--Take the Mutiny and A Hornet for Exemple |
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| HU Bo.On the Drama Writings of Xinyue Style--Take the Mutiny and A Hornet for Exemple[J].Qilu Journal,2001(5):132-135. |
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| Authors: | HU Bo |
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| Abstract: | The Crescent playwrights initiated" National Theater Movement" and represented the life and society artistically. They were good at expressing their motifs with mature drama langua- ges and skills and avoided the Utilitarian malady of Social Problem Play. The Crescent drama gave new artistic marks to Chinese Modern Drama and acquired its distinguish quality as a drama school. |
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| Keywords: | The Crescent School Drama Creation |
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