| 中国现代文学的"现代性"语境与三分文学格局的形成 |
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| 引用本文： | 耿传明.中国现代文学的"现代性"语境与三分文学格局的形成[J].南开学报,2003(2):112-117. |
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| 作者姓名： | 耿传明 |
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| 作者单位： | 耿传明（南开大学中文系,天津,300071） |
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| 基金项目： | 喜马拉雅文教基金和中流文教基金 |
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| 摘 要： | "严肃文学"、"纯文学"、"俗文学"构成了中国现代文学的三家分立的基本格局,三者之间既相互排斥又相互融合,共同推动着中国现代文学的演进和发展.这种三分文学格局的形成与20世纪文化、文学的"现代性"指向是密不可分的,这种整体性的文化、文学的"现代性"指向,颠覆和再造了文学"雅"与"俗"的观念,并在一种"追求现代"的文学理念的主导下完成了文学的现代性转换.
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| 关 键 词： | 三家分立 雅俗流变 现代性 |
| 文章编号： | 1001-4667(2003)02-0112-06 |
| 修稿时间： | 2002年11月18 |
The Language Circumstances of Contemporariness and the Formation of the Trichotomic Pattern of Chinese Contemporary Literature |
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| Geng Chuanming.The Language Circumstances of Contemporariness and the Formation of the Trichotomic Pattern of Chinese Contemporary Literature[J].Nankai Journal,2003(2):112-117. |
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| Authors: | Geng Chuanming |
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| Abstract: | The earnest literature, pure literature and popular literature constitute the trichotomic pattern of contemporary Chinese literature. Sometimes they eject to each other and sometimes they mix, promoting the evolution and development of the Chinese literature. The formation of the trichotomic pattern of the Chinese literature is close to the contemporariness of Chinese cultural and literary development of the 20th century. This integration of pursuit of contemporary orientation of culture and literature overthrows and remolds the concepts of "refinement" and "popularity", and brings the Chinese literature to the accomplishment of the switching from tradition to contemporary. |
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| Keywords: | Trichotomic Pattern The Headstream and Change of Ya (refinement) and Su (popularity) Contemporariness |
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