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明清茶学思想的审美内涵——以茶诗为例
引用本文:王秀萍,朱海燕,朱旗.明清茶学思想的审美内涵——以茶诗为例[J].湖南农业大学学报(社会科学版),2011,12(3):71-76.
作者姓名:王秀萍  朱海燕  朱旗
作者单位:1. 湖南农业大学教育部省部共建茶学重点实验室,湖南长沙,410128;福建省农科院茶叶研究所,福建福安,355015
2. 湖南农业大学园艺园林学院茶学系,湖南长沙,410128
摘    要:明清茶诗是研究明清茶美学思想的重要载体。作为中国古代社会与现代社会的过渡时期,明清时期茶美学思想表现为对古典美的完美总结和极端叛逆的矛盾纠结:一面是美善同一、仁厚恭谨、立象尽意的儒家美学思想的发展和终结;另一面是大反正统,或追求清雅性灵,或看重闲适平常。如此多样而充满张力的审美意识形态注定了中国传统茶美学由兴入盛,再由盛转衰的必然命运。

关 键 词:茶诗  美学思想  明清时期

Connotation and characters of tea poems aesthetics ideology during Ming and Qing Dynasties
WANG Xiu-ping,ZHU Hai-yan,ZHU Qi.Connotation and characters of tea poems aesthetics ideology during Ming and Qing Dynasties[J].Journal of Hunan Agricultural University(Social Science),2011,12(3):71-76.
Authors:WANG Xiu-ping  ZHU Hai-yan  ZHU Qi
Institution:1a.Key Laboratory of Tea Science of Ministry of Education;b.Tea Science Department,College of Horticulture and Gardening,Hunan Agricultural University,Changsha 410128,China;2.Tea Research Institute,Fujian Academy of Agricultural Sciences,Fu'an 355015,China)
Abstract:The tea poetry created in Ming and Qing dynasties are good stuff for the study of tea aesthetics ideology.The period during Ming and Qing dynasties is a transient period between ancient and modern society in Chinese history,and the social system,even in the field of tea aesthetics ideology,all experienced contradictory alternation between the old and the new,showed conflict of perfect summary to extreme treason.Some developed and summarized kind and submissive Confucian aesthetics school,but others pursued elegant and sincere or leisure and ordinary.Such aesthetics ideology full of diversity and tension destined its fate from prosperous to declining.
Keywords:tea poems  aesthetics ideology  period during Ming and Qing dynasties
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