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古代绘画中的陶渊明
引用本文:袁行霈. 古代绘画中的陶渊明[J]. 北京大学学报(哲学社会科学版), 2006, 43(6): 5-22,I0001,I0002,F0003
作者姓名:袁行霈
作者单位:北京大学中文系,北京100871
摘    要:笔者曾提出,陶渊明是中国文化的一个符号。古代绘画中大量关于陶渊明的作品,从一个侧面印证了这个论断。现存关于陶渊明的绘画可以分为三大类:第一类取材于他的作品;第二类取材于他的遗闻轶事;第三类是陶渊明的肖像画。考察这些以陶渊明为题材的绘画,可以看到陶渊明在画家心目中的影像,进而探讨陶渊明作为中国文化的一个符号所体现的人生追求和美学理想,以及陶渊明所产生的广泛影响。

关 键 词:陶渊明 绘画 中国文化 美学理想
文章编号:1000-5919(2006)06-0005-18
收稿时间:2006-08-10
修稿时间:2006-08-10

Tao Yuan-ming in Ancient Portraits
YUAN Xing-pei. Tao Yuan-ming in Ancient Portraits[J]. Journal of Peking University(Humanities and Social Sciences), 2006, 43(6): 5-22,I0001,I0002,F0003
Authors:YUAN Xing-pei
Affiliation:Department of Chinese Language and Literature, Peking University, Beijing 100871
Abstract:It has been suggested by the author that Tao Yuanming is a symbol of the evidenced by the abundant ancient Chinese paintings on Tao Yuanming. The theme Yuanming is about his works, the anecdotes of him and his portraits. These paintings Yuanming in the mind of the artists, through which we could explore the ideal of life and as a symbol of Chinese culture as well as his widespread influence. Chinese culture. This is of the paintings of Tao reflect the images of Tao esthetics of Tao Yuanming
Keywords:Tao Yuanming   painting   Chinese culture   aesthetic ideal
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