| 诗画相融 曲意盎然——从王维诗歌看“易”之三名与诗画一律性问题 |
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| 引用本文： | 谌黔萍.诗画相融 曲意盎然——从王维诗歌看“易”之三名与诗画一律性问题[J].成都理工大学学报(社会科学版),2008,16(2):61-64,96. |
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| 作者姓名： | 谌黔萍 |
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| 作者单位： | 四川商务职业学院基础部,成都,610091 |
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| 摘 要： | 苏轼对王维诗歌艺术的评论--"味摩诘诗,诗中有画;观摩诘画,画中有诗",为历代评论家所争论.若从诗与画的相关性来解读此评论,可以发现中国写意山水画的精神性与山水诗发展过程中体现出的审美性特征非常相似,二者在追求"悟道"的共同终极关怀过程中形成了诗画艺术的相融.若以此对二者进行审美现照,就足以证明苏轼这一论断的合理性.
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| 关 键 词： | 王维 山水诗 山水画 审美观照 |
The Integration of Poetry and Painting Shows Similar Aesthetic Features: Inspecting the Issues about the Same Aesthetic Characteristics of Poetry and Painting on the Base of WANG Wei's Poetry |
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| CHEN Qian-ping.The Integration of Poetry and Painting Shows Similar Aesthetic Features: Inspecting the Issues about the Same Aesthetic Characteristics of Poetry and Painting on the Base of WANG Wei''s Poetry[J].Journal of Chengdu University of Technology:Social Sciences,2008,16(2):61-64,96. |
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| Authors: | CHEN Qian-ping |
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