| 张竹坡小说创作论的主体间性 |
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| 引用本文： | 蔡靖芳.张竹坡小说创作论的主体间性[J].山东科技大学学报(社会科学版),2008,10(4):90-94. |
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| 作者姓名： | 蔡靖芳 |
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| 作者单位： | 黎明职业大学,人文系,福建,泉州,362000 |
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| 摘 要： | 主体间性理论从新的视角揭示了文学的性质，即文学是主体间的存在方式。作为一种鲜活的审美体验的话语方式，张竹坡在《金瓶梅》评点中表现出了强烈而自觉的主体间性意识。围绕《金瓶梅》的创作过程，张竹坡揭示了作家在艺术虚构、生活体验、创作构思及艺术表达等阶段的主体间性，即作家必须与生活现象、文本做主体间的交流。张竹坡指出：《金瓶梅》作者“入世最深”，依“情理”、“借海扬波”、“依山点石”，以不同的“笔法”、“犯而不犯”、“白描”等艺术表达技法塑造人物形象，借小说以“泄愤”。张竹坡小说创作论的主体间性极具现代意义和独特价值。
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| 关 键 词： | 主体间性 张竹坡 《金瓶梅》评点 创作论 |
Intersubjectivity in Zhang Zhupo's Novel Writing Theory |
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| CAI Jing-fang.Intersubjectivity in Zhang Zhupo''s Novel Writing Theory[J].Journal of Shandong University of Sciences & Technology(Social Science),2008,10(4):90-94. |
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| Authors: | CAI Jing-fang |
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| Institution: | CAI Jing-fang(Department of Humanities,Liming University,QuanZhou,Fujian 362000,China) |
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| Abstract: | As a new philosophical model and methodological principle,the theory of intersubjectivity reconstructs that of literary communication in which literature is regarded as existential way between subjects.As a fresh and aesthetic discourse,Zhang Zhupo's comment on Jin Pin Mei shows a strong consciousness of intersubjectivity.Zhang emphasizes the interflow between writer intense and daily lives and he claims that it is essential and practical to exchange between the writer and other subjects in novel writing.It... |
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| Keywords: | intersubjectivity Zhang Zhupo comment on Jin Pin Mei writing theory |
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