| 类型电影与类型批评 |
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| 引用本文： | 刘亚冰,吴小丽.类型电影与类型批评[J].上海大学学报(社会科学版),2004,11(2):84-87. |
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| 作者姓名： | 刘亚冰 吴小丽 |
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| 作者单位： | 上海大学,影视艺术技术学院,上海200072 |
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| 摘 要： | 无论在传统电影批评还是现代电影批评的领域,类型批评都是重要的不可或缺的批评方法之一。它的研究对象类型电影的产生是大工业生产和艺术审美合力的产物;类型电影的本质内涵是模式化,它的创新是在模式基础上的破格;类型批评的历史和类型电影的创作并不同步,在经历了现代批评理论的洗礼后,类型批评呈现出综合化的跨学科的研究趋向。
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| 关 键 词： | 类型电影 类型批评 模式化 方法论 |
| 文章编号： | 1007-6522(2004)02-0084-04 |
| 修稿时间： | 2003年9月9日 |
Genre Films and Genre Criticism |
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| WU Xiao-li,LIU Ya-bing.Genre Films and Genre Criticism[J].Journal of Shanghai University(Social Science Edition),2004,11(2):84-87. |
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| Authors: | WU Xiao-li LIU Ya-bing |
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| Abstract: | Not only traditional field but also modern field need genre film criticism, the research object of which is genre films derived from modern industrial production and mass aesthetic value of arts. In essence, genre films are formula films and their innovations base on their formulas. Genre criticism and genre film didnt come into being at the same time. Only after going through the baptism of modern film theories, genre criticism began to feature the comprehensive multi-subjected studies. |
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| Keywords: | genre film genre criticism formula methodology |
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