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| 论孟浩然诗歌中情与景的关系 | |
| 引用本文： | 武光杰. 论孟浩然诗歌中情与景的关系[J]. 湖北师范学院学报(哲学社会科学版), 2009, 29(3): 6-9 |
| 作者姓名： | 武光杰 |
| 作者单位： | 山东大学文学与新闻传播学院,山东,济南,250100 |
| 摘 要： | 孟浩然诗歌中情与景的关系并不能简单地以情景交融来概括，两者之间的关系呈现出一种较为复杂的风貌，这种复杂的风貌是由三种不同的关系类型构成的。通过具体分析我们发现，孟诗中情与景的关系，更多的是一种景“合于人”的状态，而不是景“役于人”的状态。虽然孟浩然也有一些情景交融的佳作，但他并没有将情景交融这一后世诗歌重要的美学原则升华为自觉的艺术追求。在这个意义上，孟浩然是一个带有过渡色彩的诗人。 |
| 关 键 词： | 孟浩然 兴会 情景交融 过渡色彩 |
The relationship between emotion and scenery in the poetry of Meng Haoran |
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| WU Guang-jie. The relationship between emotion and scenery in the poetry of Meng Haoran[J]. Journal of Hubei Normal University(Philosophy and Social Science), 2009, 29(3): 6-9 | |
| Authors: | WU Guang-jie |
| Affiliation: | Department of Chinese Language and Literature;Shandong University;Jinan 250100;China |
| Abstract: | The Relationship Between Emotion And Scenery In The Poetry Of Meng Haoran is not suitable to summarize with feeling and setting happily blended,which shows complicated features.It is composed of three types.We can find that The Relationship between emotion and scenery is harmonious with people,not enslaved by people.Though Meng Haoran has many poems with feeling and setting happily blended,but he don't make this important principle become conscious pursuit.So,Meng Haoran is still a transitional poet. |
| Keywords: | Meng Haoran brain wave feeling and setting happily blended transitional |
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