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傅玄诗歌情感处理方式及艺术手法评述
引用本文:马黎丽.傅玄诗歌情感处理方式及艺术手法评述[J].贵州大学学报(社会科学版),2009,27(5):114-117.
作者姓名:马黎丽
作者单位:兴义民族师范学院中文系,贵州兴义,562400
摘    要:傅玄诗歌很少直接抒发个人情感,而是多用代言体,且往往堆砌意象,侈陈物色,从而冲淡了诗歌的情感。这种“力柔”的倾向,其实也是整个西晋诗歌的共同倾向,呈现出西晋时代精神的苍白和柔弱。同时傅玄注重诗歌艺术手法的创新,这正是西晋诗歌共有的“采缛”的时代风气。傅玄的文学观念,不是僵死的、呆板的,落后的,而是在模拟中追求创新,在继承中力求突破,具有开放性和创新求变的倾向。

关 键 词:傅玄  情感处理  艺术手法

On the Treatment of Emotion and Artistic Skill in Fu Xuan's Poems
MA Li-li.On the Treatment of Emotion and Artistic Skill in Fu Xuan's Poems[J].Journal of Guizhou University(Social Science),2009,27(5):114-117.
Authors:MA Li-li
Institution:MA Li-li (Chinese Department, Xingyi Normal University for Nationalities, Xingyi , Guizhou , 562400, China)
Abstract:Fu Xuan seldom expresses his personal feelings directly in his poetry, but often uses first - person narrators. His poetic aesthetic images and color are almost piling up, thereby diluting the emotion in poems. This "soft power" tendency, in fact, was a common trend in poetry creation throughout the Xijin Dynasty, showing a pale and delicate spirit of that era. At the same time, Fu Xuan paid attention to artistic innovation in the poems which was common at that time in the Xijin Dynasty. Fu's literary concept was not dead, rigid, and backward, but was pursuing innovation in simulation, seeking a breakthrough in the succession, and his literary ideas had an open and innovative tendency.
Keywords:Fu Xuan  the expression way of emotion  artistic technique of poetry
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