论“新主旋律电影”

新中国建立以后,中国主旋律电影在弘扬革命传统、开展爱国主义教育等诸多方面固然存在着积极作用,但也存在概念化、模式化等一系列问题,难以真正摆脱观众乃至编创人员的冷淡态度,从而存在被受众边缘化的尴尬局面。从20世纪末开始,这种情况已悄然发生了可喜的变化——不少新主旋律电影跳出领袖加英雄的狭窄模式,大大拓宽了题材领域,在体现社会主流意识、国家意志、人民性与时代精神的同时,汲取类型电影的商业娱乐元素,开始注重本土化的人情人性观照,并通过类型化的交叉与混合,给广大观众带来全新的审美体验,从而为中国主流电影占据市场奠定了坚实的基础。

OnNew Mainstream Film

Ever since the founding of the People's Republic of China,the mainstream film has an active role in displaying revolutionary tradition and engaging in patriotism,etc.But there existed a series of problems such as conceptualization and standardization,etc.So that it is unwelcome among audience and film-workers and marginalized by the audience.A change has happened since the end of the 20th century.Not a few new mainstream films overcome a narrow model of leaders plus heroes and widened the realm of subject m...