《楚辞》层次结构研究——以《离骚》为例

众多楚辞读本往往回避章节之学、层次分析的原因为研究对象的丰富性、研究史的复杂性、研究内容的特殊性.<离骚>分段争议颇多,大略分为二、三、四、五、八、十、十二、十三、十四段以及"二分法"或"三分法"与"多段法"的结合等.从结构层次的合理性而言,"两分法"最经得起推敲,古人"前半"后半"之说,"人境"神境"之论,颇切辞旨.延续"两分法"的王邦采的"三分法",在较多学者认同的基础上不断发展,构成了"三分法"与"多段法"的结合,从宏观与微观的结合上达到统一.

A STUDY ON THE HIERARCHICAL STRUCTURE OF "POETRY OF THE SOUTH": Examplary Analysis of "Sorrow after Departure"

Many versions of Poetry of the South evade the paragraph dividing and hierarchical analysis. It is partially because of the abundance of research object, complexity of research history and speciality of research content. There exist many debates on the text dividing of "Sorrow after Departure", and accordingly there appeared different ways of dividing the poem into two, three, four, five, eight, ten, twelve, thirteen and even fourteen parts. There is also a theory of combining Two-part Division, or Three-part Division with Multi-paragraphic subdivision. According to the reasonableness of hierarchical structure, Two-part Theory can best stand close scrutiny, and it seems that ancient division of First Half and Second Half, Human World vs. Gods World is appropriately conveying the message of the poem. Wang Bangcai, acknowledged by some scholars in this field, developed his "Three-part Theory", which derived from the "Two-part Theory", into a combination of "Three-part division" and "Multi-paragraphic subdivision", so as to achieve the unity of macro-structure and micro-details.