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盖格尔的现象学艺术意味论——文学艺术的审美意味与审美态度
引用本文:张玉能.盖格尔的现象学艺术意味论——文学艺术的审美意味与审美态度[J].集美大学学报(哲学社会科学版),2009,12(2):57-64.
作者姓名:张玉能
作者单位:华中师范大学文学院,湖北武汉,430079
基金项目:教育部人文社会科学重点研究基地重大项目 
摘    要:盖格尔是德国现象学美学的主要代表之一,他直接把现象学方法运用于美学研究领域,运用现象学的观点与方法反思和批判了西方传统美学的二元对立的思维方法和认识论模式、心理学模式,确立了现象学艺术意味论。现象学艺术意味论具体研究了文学艺术的价值关系、文学艺术的各种意味、文学艺术与审美活动的关系,对德国文学思想转向现代具有重要作用。

关 键 词:现象学  盖格尔  艺术意味论

Geiger's Theory of Phenomenology Artistic Meaning--Aesthetic Meaning and Attitude in Literature and Art
ZHANG Yu-neng.Geiger's Theory of Phenomenology Artistic Meaning--Aesthetic Meaning and Attitude in Literature and Art[J].Journal of Jimei University (Philosophy and Social Sciences),2009,12(2):57-64.
Authors:ZHANG Yu-neng
Institution:College of Chinese Language and Literature;Huazhong Normal University;Wuhan 430079;China
Abstract:Geiger is one of the main representatives of German Phenomenology aesthetics and he applies Phenomenology method directly to the field of aesthetics study,using Phenomenology viewpoints and methods to reflect and criticize dualism contradiction and the mode of epistemology and psychology in the traditional Western aesthetics.Then he establishes the theory of Phenomenology artistic meaning.This theory studies the value of literature and art,the meanings of literature and art,and their relationship with aesth...
Keywords:Phenomenology  Geiger  theory of artistic meaning  
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