| 试论中国书法在古典意义上的终结 |
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| 引用本文： | 吴慧平.试论中国书法在古典意义上的终结[J].湖南文理学院学报(社会科学版),1999(5). |
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| 作者姓名： | 吴慧平 |
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| 作者单位： | 首都师范大学书法文化研究所!100037 |
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| 摘 要： | 从文化生存空间来看，中国书法在古典意义上的衰落以至终结，主要表现在以下4个方面：第一，毛笔已经退出了实用的历史舞台。第二，以书取仕的教育考试制度不复存在。第三，古典诗歌的衰微。第四，传统文化精神的失落。
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| 关 键 词： | 书法 古典意义 终结 |
Discussing to the end of China calligraphy in the caassial point the research institute of calligraphy culture |
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| Wu Huiping.Discussing to the end of China calligraphy in the caassial point the research institute of calligraphy culture[J].Journal of Hunan University of Arts and Science:Social Science Edition,1999(5). |
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| Authors: | Wu Huiping |
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| Abstract: | This paper discussed the end of China calligiaphy in the classial point from the angle of spaceexisted: First, the writting brush has not existed in the history stage of practice. Second, the eduational that a good Scholar will make an offical in calligraphy has not existed. Third, the decline of classial poetry. Fourth,the decline in the spirit of classial culture. |
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| Keywords: | calligraphy in the classial point end |
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