| 庄子的艺术境界论 |
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| 引用本文： | 王彦永. 庄子的艺术境界论[J]. 郑州大学学报(哲学社会科学版), 2007, 40(5): 115-118 |
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| 作者姓名： | 王彦永 |
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| 作者单位： | 安阳工学院,河南,安阳,455000 |
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| 摘 要： | 庄子以"道"为逻辑起点,以寓言为载体,提出了一系列对后世产生巨大影响的文艺主张,他对"道"与"言"、"大美"与"大象"、"虚"与"静"展开的反复论述,构成了一个比较完整的艺术境界论体系。本文循着庄子理论的脉络,对其艺术境界的理论实质及后世的阐发作了简单梳理。
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| 关 键 词： | 古代文论 庄子 艺术境界 |
| 文章编号： | 1001-8204(2007)05-0115-04 |
| 修稿时间： | 2007-04-20 |
Zhuangzi''''s Realm of Art |
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| WANG Yan-yong. Zhuangzi''''s Realm of Art[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2007, 40(5): 115-118 |
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| Authors: | WANG Yan-yong |
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| Abstract: | The great contribution of Zhuangzi's concepts of art,with the Way as their starting point and the fable as their carrier,lies mainly in his exposition of the realm of art,which has extended into a systematic theory about art. |
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| Keywords: | ancient critical theory Zhuangzi realm of art |
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