| 论“第六代导演”的电影美学风格 |
| |
| 引用本文： | 史鸿文. 论“第六代导演”的电影美学风格[J]. 河南科技大学学报(社会科学版), 2006, 24(4): 44-47 |
| |
| 作者姓名： | 史鸿文 |
| |
| 作者单位： | 郑州大学,公共管理学院,河南,郑州450052 |
| |
| 摘 要： | “第六代导演”及其作品所反映的美学风格主要有:刻意模糊线索的明晰性和淡化叙事的情节性,形成了“新写意风格”;追求“摄影机不撒谎”的发言模态,表达出一种新写实主义即“微观写实主义”;偏爱长镜头和追求画面的僵持意味,流露出一种中国式的新自然主义即“新本色主义”;作为“状态电影”或“大陆地下电影”的主体,他们的作品富有个性但亦被认为是伪个性。
|
| 关 键 词： | “第六代导演” 电影 美学 |
| 文章编号： | 1672-3910(2006)04-0044-04 |
| 修稿时间： | 2006-01-06 |
Aesthetic Style of the Films Directed by "the Directors of the Sixth Generation" |
| |
| SHI Hong-wen. Aesthetic Style of the Films Directed by "the Directors of the Sixth Generation"[J]. Journal of Henan University of Science & Technology:Social science, 2006, 24(4): 44-47 |
| |
| Authors: | SHI Hong-wen |
| |
| Abstract: | Deliberately blurring the clues of films and diluting the scenario of the story,pursuing "cinematograph not telling a lie",preferring long camera lens and the stiffness of the pictures etc.are the main aesthetic style of "the directors of the sixth generation".On the one hand the films directed by "the directors of the sixth generation" is characteristic,on the other hand it is regarded as false personality. |
| |
| Keywords: | " the directors of the sixth generation" ,films,aesthetic |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
