| 新晃侗傩“咚咚推”舞蹈艺术初探 |
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| 引用本文： | 覃嫔.新晃侗傩“咚咚推”舞蹈艺术初探[J].民族论坛,2012(2):100-103. |
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| 作者姓名： | 覃嫔 |
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| 作者单位： | 怀化学院音乐系 |
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| 基金项目： | 湖南省2011民族研究课题《新晃天井寨侗族“咚咚推”的舞蹈研究》,项目编号:hnmy2011-02 |
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| 摘 要： | 新晃"咚咚推"源于侗族宗教祭祀的傩戏,因其舞蹈表现形态等一系列的非凡艺术形式而引发了诸多文化学者的关注。这一深藏于民间的舞台歌舞艺术在舞蹈动作的表现力上面,具有原始的美感和宗教的神韵,这使得该古老艺术所释放的文化因子蕴含了颇为深厚的文化价值。本文重点对"咚咚推"的舞蹈表现形态及其意义做初步探讨。
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| 关 键 词： | “咚咚推” 舞蹈表现形态 传承 |
An Analysis of Xinhuang DongNuo Dance "Dongdong Tui" |
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| Qin Pin.An Analysis of Xinhuang DongNuo Dance "Dongdong Tui"[J].Nationalities Forum,2012(2):100-103. |
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| Authors: | Qin Pin |
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| Institution: | Qin Pin(Department of Music,Huaihua University,Huaihua,Hunan,418008) |
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| Abstract: | "Dongdongtui" dance originates from Xinhuang ethnic religious ceremony:Nuo opera.Many scholars who study folk culture show much concern of this "Dongdongtui"dance just because of its unique manifestations.This folk dance is very expressive especially on its movements.It shows primitive beauty and religious essence which bring much vitality to this old folk dance art and rather deep cultural values as well.This thesis tries to focus on the study of expression of dance "Dondong tui" and its significance. |
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| Keywords: | "Dondongtui"dance the manifestations of dance inheritance |
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