| 中国艺术进程中的“现代性”解读 |
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| 引用本文： | 芦甲川. 中国艺术进程中的“现代性”解读[J]. 安徽理工大学学报(社会科学版), 2012, 0(2): 75-79 |
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| 作者姓名： | 芦甲川 |
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| 作者单位： | 淮南师范学院美术系 |
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| 基金项目： | 教育部人文社会科学研究青年基金项目(12YJC760056)资助 |
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| 摘 要： | "现代性"是中国艺术在不同时代都具有的客观属性,只是在20世纪以前东方文化的语境和语义并不习惯于这样的说法,有其理其行但无其言。时下人们习惯把"现代性"仅仅归于"现代艺术"的特征性,这种以定向和特指的观念无疑是个误区,客观认识中国艺术进程中"现代性"的审美思路,对建构我国当前的艺术发展观至关重要。
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| 关 键 词： | 现代性 中国艺术 审美 传统 |
The interpretation of the "modernity" of Chinese art process |
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| LU Jia-chuan. The interpretation of the "modernity" of Chinese art process[J]. Journal of Anhui University of Science and Technology:Social Science, 2012, 0(2): 75-79 |
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| Authors: | LU Jia-chuan |
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| Affiliation: | LU Jia-chuan (Department of Art,Huainan Normal University,Huainan,Anhui 232001,China) |
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| Abstract: | "Modernity" is an objective quality of art in different times of the Chinese history.However,though its practice and theories had already been common,such conception did not prevail in the oriental cultural context until the 20th century.Currently,as "modernity" only habitually refers to the characteristics of "modern art",such concept of fixed direction and connotations is undoubtedly wrong.As a result,an objective understanding of the aesthetic thoughts of the "modernity" of Chinese art is crucial to constructing the current view of art in China. |
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| Keywords: | modernity Chinese art aesthetics tradition |
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