| 论第三代诗歌 |
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| 引用本文： | 彭卫鸿. 论第三代诗歌[J]. 三峡大学学报(人文社会科学版), 2004, 26(4): 50-52 |
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| 作者姓名： | 彭卫鸿 |
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| 作者单位： | 中南民族大学,文学院,湖北,武汉,430074 |
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| 摘 要： | “朦胧诗”后被称为“第三代”的诗人是新时期诗歌中一直未被定论的集体,他们以全面反叛中国 新诗秩序开始,却没有建立起新的诗歌秩序,他们的创作活动将中国当代诗歌划分成两个明显不同的阶段,成为 中国当代诗歌走向多元化、边缘化、个人化的分水岭。
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| 关 键 词： | 第三代诗人 诗歌 得失 |
| 文章编号： | 1672-6219(2004)04-0050-03 |
| 修稿时间： | 2003-08-30 |
The Third Generation Poem:The Boundary of the Contemporary Chinese Poetry |
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| PENG Wei-hong. The Third Generation Poem:The Boundary of the Contemporary Chinese Poetry[J]. Journal of China Three Gorges University(Humanities & Social Sciences), 2004, 26(4): 50-52 |
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| Authors: | PENG Wei-hong |
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| Abstract: | The so-called third generation poets after the obscure avant-garde poetry form a group that is seldom appreciated by the public and critics. They begin with the total rebellion against new Chinese poetic order, but fail to establish a new one. Their writings divide contemporary Chinese poems into two distinct stages and become the watershed for the contemporary Chinese poetry leading to variety, marginalization and individuality. |
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| Keywords: | the third generation poet poetry advantages and disadvantages |
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