| 论张爱玲小说的叙事视角 |
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| 引用本文： | 孙佰玲.论张爱玲小说的叙事视角[J].汕头大学学报(人文社会科学版),2012,28(2):56-61,95. |
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| 作者姓名： | 孙佰玲 |
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| 作者单位： | 北京师范大学,北京100875／汕头大学文学院,广东汕头515063 |
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| 摘 要： | 张爱玲将古代小说惯用的全知视角羼用第三人称限制视角与现代人性主题相结合,形成了自己独特的叙事艺术;视角的流动与转换是张爱玲小说区别于其它现代小说的叙事特征之一,它突破了"五四"以来现代小说要求固定视角的理论限制;张爱玲用她的妙笔使"五四"之后被否定的"全知视角"重新焕发了生机与活力,这在中国文学叙事史上具有重要意义。
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| 关 键 词： | 张爱玲 叙事视角 叙事艺术 |
On the Narrative Perspectives of Zhang Ailing’ Novels |
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| SUN Bai-ling.On the Narrative Perspectives of Zhang Ailing’ Novels[J].Journal of Shantou University(Humanities Edition),2012,28(2):56-61,95. |
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| Authors: | SUN Bai-ling |
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| Institution: | SUN Bai-ling(Beijing Normal University,Bejing,100875;College of Liberal Arts,Shantou University,Shantou,Guangdong 515063) |
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| Abstract: | Zhang Ailing develops her unique narrative art by combining the omniscient perspective as typically used in ancient novels with the restricted perspective of the third person and the theme of modern human nature.The fluidity and transfer in perspective constitute one of the narrative features in which her novels differ from other modern fictions.Her practice represents a breakthrough in the theoretical restriction on modern fictions since the May 4th Movement.Zhang ’s artistic skills has rejuvenated and invigorated the omniscient perspective denied since the movement above,which is of great significance in the history of Chinese literary narration. |
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| Keywords: | Zhang Ailing narrative perspective narrative art |
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