| 先秦音乐美学中的"和"范畴考论 |
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| 引用本文： | 吴璇. 先秦音乐美学中的"和"范畴考论[J]. 学术交流, 2007, 0(9): 17-21 |
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| 作者姓名： | 吴璇 |
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| 作者单位： | 洛阳大学,艺术学院,河南,洛阳,471023 |
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| 摘 要： | 先秦时期,很多典籍都论及"和"这个范畴,为了更好地理解和把握作为音乐美学范畴的"和"的意义和价值,必须着[于"和"的意义]变,对"和"进行考证与辨析。"和"的意义演变历程为:1.从单纯的乐器意涵,引申为调和、应和之义;2.衍生为具有政治伦理性意涵;3.又衍生为哲学上宇宙生成的意涵;4.转化为道德人格修养极成之境。
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| 关 键 词： | <乐记> 和 龢 先秦音乐 音乐美学 |
| 文章编号： | 1000-8284(2007)09-0017-05 |
| 修稿时间： | 2007-08-10 |
Textual Research on Category of "He" ( 和 ) in Aesthetics of the Pre-Qin Music |
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| WU-xuan. Textual Research on Category of "He" ( 和 ) in Aesthetics of the Pre-Qin Music[J]. Academic Exchange, 2007, 0(9): 17-21 |
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| Authors: | WU-xuan |
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| Abstract: | In the period of the pre-Qin dynasty,many books expounded the category of "he".In order to have a better understanding of "he" and its meanings in the category of music aesthetics,the paper undertakes to study its evolution,as follows: 1.extending to conciliation in pure connotations of musical instrument;2.developing to explanations in politics and ethics;3.then possessing cosmogonic elements;4.finally shifting to ultimate state of moral and personality cultivation. |
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