| 审美意识与文学翻译 |
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| 引用本文： | 吴海芳.审美意识与文学翻译[J].江苏工业学院学报(社会科学版),2006,7(1):44-46. |
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| 作者姓名： | 吴海芳 |
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| 作者单位： | 江苏工业学院外语系 江苏常州213016 |
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| 摘 要： | 审美意识作为审美主体反映美的各种意识形式,是由审美判断力、审美倾向和审美感受三个相互关联的方面组成。《红楼梦》两英译本的对比,反映了审美意识对文学翻译的影响。提高审美转换的效果,应该从翻译主体的审美判断力、审美倾向、审美感受三方面,探求在审美意识控制下进行审美转换的有效途径,实现源语审美效果的完美移植。
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| 关 键 词： | 审美意识 审美转换 《红楼梦》 |
| 文章编号： | 1672-9048(2006)01-0044-03 |
| 修稿时间： | 2005年9月8日 |
Aesthetic Consciousness and Literature Translation |
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| WU Hai-fang.Aesthetic Consciousness and Literature Translation[J].Journal of Jiangsu Polyetchnic University:Social Science Edition,2006,7(1):44-46. |
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| Authors: | WU Hai-fang |
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| Abstract: | Aesthetic consciousness,a form of consciousness reflecting beauty by the subject,consists of aesthetic judgment,tendency and experience.The two different English version of Hongloumeng shows the significant impact of aesthetic consciousness on literary translation.For the effect improvement,we should explore an effective way of aesthetic transfer through three aspects of the subject-aesthetic tendency and aesthetic experience,so as to achieve the perfect transplant of aesthetic effect of source language. |
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| Keywords: | aesthetic consciousness aesthetic transfer Dreams in the Red Mansion |
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