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民间与经典的整合——论京剧三国戏的艺术特征
引用本文:包海英.民间与经典的整合——论京剧三国戏的艺术特征[J].齐鲁学刊,2007(3):66-70.
作者姓名:包海英
作者单位:南京大学中文系,江苏,南京,210093
摘    要:罗贯中《三国演义》书成,便产生了广泛的社会影响,后通过清初毛伦、毛宗岗父子的整理和评点,这部长篇历史小说中的故事和人物可谓家喻户晓,妇孺皆知。剧作者将其改编成各种戏曲,在宫廷、城市和乡村的舞台上频繁演出。京剧中的三国戏蔚为大观,这与《三国演义》的广泛传播密不可分,同时京剧三国戏又深受民间文学的影响,可以说,京剧三国戏的艺术特征是在经典名著《三国演义》与民间文学的双重影响下而形成的。

关 键 词:《三国演义》  京剧三国戏  民间  经典
文章编号:1001-022X(2007)03-0066-05
修稿时间:2006年10月11

Folk and Masterpiece——The Discussion on Artistic Character of Beijing Opera of Three States Stories
Bao Hai-ying.Folk and Masterpiece——The Discussion on Artistic Character of Beijing Opera of Three States Stories[J].Qilu Journal,2007(3):66-70.
Authors:Bao Hai-ying
Abstract:The Romance of Three Kingdoms of Luo Guan-zhong produced extensive and profound influence.Afterward,Mao Lun and Mao Zong-gang edited and comment on the masterpiece,which made the stories and characters of the novel widely known.Folk actors and dramatists adapted the novel into various dramas,which performed on the stage of royal court,city and country.Beijing opera of three kingdoms presented a splendid sight,and it had great relation to the broad spread of The Romance of Three Kingdoms.At the same time,folklore had profound effect on these dramas.The paper studies the artistic character of Beijing opera of three states stories,which accepted diploid influence of the famous masterpiece and folklore.
Keywords:The Romance of Three Kingdoms  Beijing opera of three kingdoms  folk  masterpiece
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