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阿尼玛与阿尼姆斯——论曹禺早期剧作的角色配置模式
引用本文:宋向红.阿尼玛与阿尼姆斯——论曹禺早期剧作的角色配置模式[J].北京工业大学学报(社会科学版),2005,5(1):69-73.
作者姓名:宋向红
作者单位:福建莆田学院,中文系,福建,莆田,351100
摘    要:运用荣格心理分析法的"阿尼玛"、"阿尼姆斯"有关理论,从内部分析了曹禺早期剧作中"男弱女强"角 色配置模式的生成动因,认为这种模式是男主人公身上的"阿尼玛"、女主人公身上的"阿尼姆斯"付诸行动的结 果,是"阿尼玛"和"阿尼姆斯"心理原型的投射,同时也源于曹禺自身的"阿尼玛"气质。

关 键 词:角色配置模式  阿尼玛  阿尼姆斯
文章编号:1671-0398(2005)01-0069-05
修稿时间:2004年3月23日

Projection Anima and Animus--Talk About the Role-making Genre of Masculine Female and Feminine Male in Cao Yu's Early Dramas and Mays
SONG Xiang-hong.Projection Anima and Animus--Talk About the Role-making Genre of Masculine Female and Feminine Male in Cao Yu''''s Early Dramas and Mays[J].Journal of Beijing Polytechnic University(Social Sciences Edition),2005,5(1):69-73.
Authors:SONG Xiang-hong
Abstract:It deals with the vivid causes of the role-maying genre of masculine female and feminine male in Cao Yu' s early dramas and mays from the inner aspect by using the concerned Anima and Animus theories in Karl Jung psychoanalysis.It is thought to be the results of the actions caused by the heroes' Anima and heroines' Animus as well as the cast of the Anima and Animus psychoanalysis prototype. Meanwhile it can also be sourced in Cao Yu's Anima temperament in himself.
Keywords:role-maying genre  Anima  Animus  
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