试述接受美学中的"意义未定和空白"及读者的阅读

产生于二十世纪六、七十年代的接受美学,是作为对当代西方作者中心论批评和文本中心论批评的反叛而出现的.充分重视读者在文学活动中的重要地位,提出了文学史就是文学的读者接受史、效果史,并进而将接受美学发展为文本--读者相互交流与对话的新理论.把"意义未定与空白"作为作品好坏与否的一个标准,强调读者及其阅读,实现了西方文论第二次大转向.

"Uncertain and Vacant Meaning" and "Readers' Reading Activity in Reception Aesthetics

Receptions Asthetic,which took it's origin from the 60s & 70s'of the 20th cengtury as a revolt against auther-orient criticism and version-orient criticism in the west. Attached sufficient importance to the important position of readers in literary activities ,put forward that the literary history was the literary reception history and effect history of readers and readers should receive the verson of asthetic development while communicating and talking with each other .Took the idea of "uncertain and vacant meaning"as one of the criterion whether works were good or not,emphasized on readers and their reading activity,realized the second literary theories'turn in the west.