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| 20世纪西方文学批评的四种范式 | |
| 引用本文： | 周宁. 20世纪西方文学批评的四种范式[J]. 厦门大学学报(哲学社会科学版), 2001, 0(2): 15-21 |
| 作者姓名： | 周宁 |
| 作者单位： | 厦门大学,中文系,福建,厦门,361005 |
| 摘 要： | 20世纪西方文学理论纷繁复杂,主要有四种批评范式,这四种批评范式的转承过程,构成西方文学批评发展的线索.第一种范式假设文学的意义内在于文本结构中;第二种范式以文学意义产生于阅读经验为前提而展开;第三种范式认为文学的意义是读者主观的派生品;第四种范式则主张文学的意义存在于历史权力的话语之中. |
| 关 键 词： | 文学的意义 范式 文本 语境 话语 |
| 文章编号： | 0438-0460(2001)02-0015-07 |
| 修稿时间： | 2000-12-19 |
Four Paradigms in the West Criticism of the 20th Century |
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| ZHOU Ning. Four Paradigms in the West Criticism of the 20th Century[J]. Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences), 2001, 0(2): 15-21 | |
| Authors: | ZHOU Ning |
| Abstract: | There are four paradigms in the west criticism of the 20th century. Their changes show the inner line of the theoretical history. According the first paradigm the literary meaning is supposed to be contained in the text. According the second paradigm it is produced in the process of reading or reception. According the third paradigm it is the product of reader's creation. According to the fourth paradigm the literary meaning exists in the discourse of history and power. |
| Keywords: | meaning paradigm text context discourse |
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