| 论乾嘉汉学与文学的同构 |
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| 引用本文： | 胡贤林.论乾嘉汉学与文学的同构[J].江南大学学报(人文社会科学版),2011,10(5):102-106,110. |
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| 作者姓名： | 胡贤林 |
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| 作者单位： | 安徽农业大学人文社科学院,安徽合肥,230036 |
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| 基金项目： | 教育部人文社科青年基金项目(10YJC751032) 安徽省教育厅人文社科基金项目，安徽农业大学稳定和引进人才科研资助项目 |
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| 摘 要： | 乾嘉汉学作为清代中期官方推崇的主流学术,与文学呈现出某种同构之势,涉及到三个层面：文人与学者的兼容、汉学介入文论话语及文学创作的炫学化倾向,反映出乾嘉时期学术风尚与文论思潮之间的复杂关联。
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| 关 键 词： | 乾嘉汉学 文学 同构 |
Statement on the Isomorphism between the Sinology in Qianjia Period and Literature |
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| HU Xian-lin.Statement on the Isomorphism between the Sinology in Qianjia Period and Literature[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2011,10(5):102-106,110. |
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| Authors: | HU Xian-lin |
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| Institution: | HU Xian-lin(Institute of Arts and Social Science,Anhui Agricultural University,Hefei 230036,China) |
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| Abstract: | The sinology in Qianjia period,as the mainstream in academy held in high esteem during the middle of Qing Dynasty,presenting some kind of intendency in isomorphism,is involved in three aspects： the compatibility between writers and scholars,the sinology inserting into literary discourse and the intendency in metaphysics of literature. |
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| Keywords: | The Sinology in Qianjia Period Literature Isomorphism |
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