臧克家诗论的本土渊源

臧克家的诗论有着深厚的中国本土的理论渊源。儒家哲学积极入世的价值观,诗品与人品相统一、内容与形式相统一的中和审美观,杜甫、白居易、孟郊、贾岛的诗歌创作实践,以鲁迅、闻一多、毛泽东等为代表的启蒙现代性诗学传统等因素共同赋予了臧克家诗论直面现实生活、新体旧体兼顾、注重艺术锤炼的诗学品格。其诗论中过分注重诗歌教化功能与社会效果而表现出的审美功利主义倾向,与他对中国本土诗学传统的偏颇/偏激理解不无关联。

THE THEORETICAL SOURCE OF ZANG KEJIAS THOUGHTS ABOUT POETRY

In theory, the thoughts of Zang Ke-jia about poetry profound poetical source in native China. It was the result influenced jointly by the factors as follows: to experience positively ,to integrate moral quality with poet, to unite content and form in works ,which were views had been advocated by the Confucian school in ancient China; and the poetical humanism on enlightening maintained by new-vernacular literature writer such as Lu Xun, Wen Yi-duo and Mao Ze-dong. Facing real life directly, embracing forms new or old, being particular about perfect of writing, were the principle details of Zang Ke-jias thoughts about poetry. However, it is inadvisable to neglect the limitations in it.