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“五四”文学审美批评的视野、建构与意义
引用本文:首作帝.“五四”文学审美批评的视野、建构与意义[J].社会科学,2012(5):186-192.
作者姓名:首作帝
作者单位:浙江师范大学人文学院 浙江金华321004
摘    要:"五四"文学审美批评是一种自成体系的批评模式,纵向视野与横向视野构成批评活动的两个基本维度,时间历时形态与空间共时形态交叉互渗。与此同时,"五四"文学审美批评体现为诚挚性、独创性和宽容性的复合内涵,彼此之间互为补充、渗透和制约,共同建构了整体性的批评氛围。"五四"文学审美批评作为一种话语诉求,在不同作家和批评家之间保持了良好对话与争辩,也就保持了相对自由与独立,在启蒙背景下彰显出全面的审美阐释,为新文学的自由与自觉在理论上奠定了坚实基础。

关 键 词:审美批评  双重视野  多层建构  积极意义

The Vision, Construction and Significance for Aesthetic Criticism of the May 4th Literature
Shou Zuodi.The Vision, Construction and Significance for Aesthetic Criticism of the May 4th Literature[J].Journal of Social Sciences,2012(5):186-192.
Authors:Shou Zuodi
Abstract:The aesthetic criticism of the May 4th literature is a self-contained criticism mode,and vertical and horizontal views constitute the two basic dimension of critical activity.Meanwhile,time form and space form have a total cross-penetration.At the same time,the aesthetic criticism of the May 4th literature embodies the complex content of sincerity,originality and tolerance.They are complementary to each other with infiltration and inter-constrains,which co-construct the overall criticism atmosphere,and thus achieving the best criticism effect.The aesthetic criticism of the May 4th literature,as a comprehensive discourse demands between different writers and critics maintain a good dialogue and debate,which keeps a relative free and independence,and under the background in enlightenment it reflects overall aesthetic interpretation,thus leads to a solid foundation in theory for the new literary freedom and consciousness.
Keywords:Aesthetic Criticism  Double Vision  Multi-layer Construction  Positive Significance
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