论明清之际戏曲叙事的类型化

明清之际,戏曲叙事出现了突出的类型化现象。主要表现为离魂—还魂—入梦—画中人/镜中人、误会—错认—冒名、信物—道具等三种模式。戏曲叙事类型化的出现与当时的社会生活现实、戏曲创作实践和戏曲理论批评等因素密切相关。叙事的类型化体现了古典戏曲的艺术精神和创作思维的惰性特征。

The Typing of the Narration of Chinese Dramas between the Later of Ming Dynasty and the Beginning of Qing Dynasty

The narration of Chinese dramas between the later of Ming Dynasty and the beginning of Qing Dynasty had extrusive typing phenomenon, that were leaving fetch - returning fetch - entering dream - women in pictures / women in mirror, mistaking - misknowing - imitating, keepsake - prop. They was owing to social living, writing practice of Chinese dramas, theory of Chinese dramas, and embodied the art spirit of classical Chinese dramas and the inertia of writing thinking.