| 中国书画线条的形上基础 |
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| 引用本文： | 刘镪.中国书画线条的形上基础[J].齐齐哈尔大学学报(哲学社会科学版),2009(3):8-11. |
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| 作者姓名： | 刘镪 |
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| 作者单位： | 天津师范大学,新闻传播学院,天津,300387 |
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| 基金项目： | 天津师范大学哲学社会科学研究青年基金 |
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| 摘 要： | 骨法用笔,自古已然.线条是中国书法的惟一语言和中国画的基本语言.本文指出线条的形上基础主要源于老庄、<周易>哲学,玄--变--朴是书画家感应天地万物阴阳运转、生化不息而归于大和谐的宇宙秩序,参"玄"以体道、悟道,在线条的创造中求"变"以证道、显道,进而返"朴"以得道、弘道的精神历程.
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| 关 键 词： | 中国书画 线条 形上基础 |
On the Metaphysical Basis of Lines of Chinese Calligraphy and Painting |
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| LIU Qiang.On the Metaphysical Basis of Lines of Chinese Calligraphy and Painting[J].Journal of Qiqihar University (Philosophy & Social Science Edition),2009(3):8-11. |
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| Authors: | LIU Qiang |
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| Institution: | School of Journalism and Communication;Tianjin Normal University;Tianjin 300387;China |
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| Abstract: | The trend of Chinese painting reveals itself in the application of lines,which serves as the only element of Chinese calligraphy and the most important element of Chinese painting.The paper points out that metaphysically the use of lines originates from Taoism and Confucianism.Perceiving the way of heaven and earth and Yin and Yang,and understanding the harmony of the world and the universe,calligraphers and painters proceed from seeking for changes in lines to pursuing purity of lines,and from revealing th... |
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| Keywords: | Chinese calligraphy and painting lines metaphysical basis |
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