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理性与痴狂——院体与文人画品之辩
引用本文:刘勇.理性与痴狂——院体与文人画品之辩[J].南华大学学报(社会科学版),2012,13(3):119-122.
作者姓名:刘勇
作者单位:南华大学设计艺术学院,湖南衡阳,421001
摘    要:绘画艺术应该是最能直接表达画家本人及画家自身以外丰富多彩的情感世界的一种媒介。不同的人群均会有着不同的社会心态,在创作时,这种心态会自觉的融入到绘画作品之中。文章通过画家所处的地位和社会历史条件等因素来解析院体画与文人绘西为何套出现两种截然相反的审美情趣,且进一步完善中国画审美中“画品”即“人品”理论观点。

关 键 词:院体画  文人画  理性  痴狂  审美情趣  品性
收稿时间:2012/3/16 0:00:00

Rational and Crazy
LIU Yong.Rational and Crazy[J].Journal of Nanhua University(Social Science Edition),2012,13(3):119-122.
Authors:LIU Yong
Institution:LIU Yong(University of South China,Hengyang 421001,China)
Abstract:The art of painting is a kind of medium that most directly express the painter himself and the painter’s rich and colorful emotional world.Different groups of people will have different social mentality which integrate into the paintings consciously in the creation.This paper analyzed the reason why the academy of painting and the literati painting showed two diametrically opposed aesthetic taste by the status of the painters,social and historical conditions and other factors,and further improved the theoretical viewpoint of "paintings" that is "character" in the aesthetics of chinese Painting.
Keywords:academy painting  literati painting  rational  crazy  aesthetic taste  character
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