| 《女神》中的女性情结探微 |
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| 引用本文： | 张传敏. 《女神》中的女性情结探微[J]. 重庆师范大学学报(哲学社会科学版), 2012, 3(3): 45-49. DOI: 10.3969/j.issn.1673-0429.2012.03.008 |
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| 作者姓名： | 张传敏 |
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| 作者单位： | 西南大学中国诗学研究中心,重庆北碚,400715 |
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| 摘 要： | 郭沫若的《女神》经常被理解为“一曲女性的赞歌”,但是该诗集中的很多女性意象呈现出欲望化特征,缺乏形而上的道德崇高感。郭沫若心中真正欣赏的是“女性的男性化”、“男女合一”,而且作者对男性的自我认同感相当强烈,在他的意识深层,男性对于女性仍然具有统治地位。
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| 关 键 词： | 郭沫若 《女神》 女性情结 |
On the Female Complex in the Goddess |
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| Zhang Chuanmin. On the Female Complex in the Goddess[J]. Journal of Chongqing Normal University Edition of Social Siences, 2012, 3(3): 45-49. DOI: 10.3969/j.issn.1673-0429.2012.03.008 |
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| Authors: | Zhang Chuanmin |
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| Affiliation: | Zhang Chuanmin(Research Centre of Chinese Poetics,Southwest University,Chongqing,Beibei 400715,China) |
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| Abstract: | Although Guo Moruo’s the Goddess is often understood as a female hymn,a lot of female images in the collection shows the features of desire,lacks metaphysical and moral sense of sublimity.What Guo truly appreciates is the masculine female or man-woman in one.Or more exactly,Guo’s male self-identity is quite strong.Deep in his mind,men always hold a dominant position for women. |
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| Keywords: | Guo Moruo the Goddess female complex |
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