| 从“藏地三部曲”看西藏故事的西藏化趋向简 |
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| 引用本文： | 翟业军.从“藏地三部曲”看西藏故事的西藏化趋向简[J].重庆师范大学学报(哲学社会科学版),2014(1):21-27. |
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| 作者姓名： | 翟业军 |
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| 作者单位： | 南京大学中国新文学研究中心（仙林校区）,南京210023 |
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| 摘 要： | 范稳的“藏地三部曲”是一片释、耶、爱熔铸成的人间净土。这种“奇观”式的写作呈现出一个被强加了“西藏性”的西藏，而生产和消费“奇观”的代价是将西藏特例化、工艺品化，从而使我们错失了真实的西藏。
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| 关 键 词： | 藏地三部曲 范稳 西藏性 |
The Tibetaness of Tibet Story from Tibet Trilogy |
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| Zhai Yejun.The Tibetaness of Tibet Story from Tibet Trilogy[J].Journal of Chongqing Normal University Edition of Social Siences,2014(1):21-27. |
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| Authors: | Zhai Yejun |
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| Institution: | Zhai Yejun (Research Center of Chinese New Literature, Nanjing University, Nanjing 210023, China) |
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| Abstract: | Tibet Trilogy written by Fan Wen ereates a paradise on earth forged by the spirits of Buddhism, Christianity and love, but the storytelling formula which focuses on spectacles actually imposes ＂Tibetaness＂ upon Tibet. The production and consumption of spectacles result in the specialization and commoditization of Tibet at the sacrifice of a real Tibet. |
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| Keywords: | Tibet Trilogy Fan Wen Tibetaness |
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