| 《受活》:荒诞背后的焦灼 |
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| 引用本文： | 刘波. 《受活》:荒诞背后的焦灼[J]. 河南科技大学学报(社会科学版), 2006, 24(3): 55-57 |
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| 作者姓名： | 刘波 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 摘 要： | 阎连科的《受活》用超现实的方法营构了一个荒诞奇诡的艺术世界,在荒诞的背后却是作家对于现代化进程中劳苦人命运的焦灼,对造成劳苦人悲惨遭际的权力个体、权力机制的拷问,以及对造成劳苦人失语的当下文坛的不满。
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| 关 键 词： | 阎连科 <受活>荒诞 超现实 当代文学 |
| 文章编号： | 1672-3910(2006)03-0055-03 |
| 修稿时间： | 2005-09-16 |
"Shouhuo": The Anxiety Behind the Absurdity |
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| LIU Bo. "Shouhuo": The Anxiety Behind the Absurdity[J]. Journal of Henan University of Science & Technology:Social science, 2006, 24(3): 55-57 |
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| Authors: | LIU Bo |
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| Abstract: | Yan-Lianke constructed an absurd artistic world in “Shouhuo” by the surrealism method. Both the characters and the characters' activity were absurd. But behind the absurdity it's the writer's deeply anxiety about the destiny of the poor people, the torture to the authorities and individuals that made the poor people pitiful and the dissatisfaction to the literary world which made the poor people voiceless. |
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| Keywords: | Yan Lianke “Shouhuo” absurdity surrealism present literature |
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