| 《文心雕龙》之“典雅”论 |
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| 引用本文： | 王承斌.《文心雕龙》之“典雅”论[J].齐齐哈尔大学学报(哲学社会科学版),2009(5):5-8. |
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| 作者姓名： | 王承斌 |
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| 作者单位： | 许昌学院文学院,河南,许昌,461000 |
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| 摘 要： | 刘勰对文学作品的"典雅"特征很重视,当前学界多认为"典雅"与儒家经典的思想内容和风格相关,这无疑是正确的.但是,这里却有一层更重要的内涵被忽略了,即"典雅"是"六义"的体现."典雅"不只限于对儒家思想内容的学习,也不是要学习经典质朴的文风,最主要的是要学习经典的创作原则,即文有"六义",概而言之,是做到"文质彬彬",内容与形式的完美结合.
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| 关 键 词： | 典雅 六义 文质彬彬 |
The View of Elegance on Wenxindiaolong |
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| WANG Cheng-bin.The View of Elegance on Wenxindiaolong[J].Journal of Qiqihar University (Philosophy & Social Science Edition),2009(5):5-8. |
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| Authors: | WANG Cheng-bin |
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| Institution: | Chinese Department of Xuchang University;Xuchang 461000;China |
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| Abstract: | Liuxie Raid more attention to elegance of his works.Some researchers think that it focuses on studying the thought and linguistic style of Confucian classics.In facts,the elegant features does not only reflect the Confucian thought and the language of classics.Elegance is mainly intended to inhere and study the writing principles:the Liuyi,embodied in classics,which can also be summarized as refinement. |
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| Keywords: | Elegance Liuyi refinement |
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