| 当代审美文化的主体悖论和主体变奏 |
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| 引用本文： | 韦统义,赵伯飞.当代审美文化的主体悖论和主体变奏[J].西安电子科技大学学报(社会科学版),2003,13(2):10-13. |
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| 作者姓名： | 韦统义 赵伯飞 |
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| 作者单位： | 西安电子科技大学,人文学院,陕西,西安,710071 |
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| 摘 要： | 本文在分析竟生之美的基础上,以此为扫描我国当代审美文化的工具,提出我国当代审美文化的基本维度是竟生之美。我国当代审美文化的竟生之美因其内在的主体悖论使其历经了从红色崇高、悲剧丑和喜剧荒诞的美态发展过程。这种主体的变奏,是对当代中国社会生活审美的客观反映。竟生之美是审美主体性的本质反映。
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| 关 键 词： | 竟生之美 主体悖论 主体变奏 |
| 文章编号： | 1008-472X(2003)02-0010-04 |
| 修稿时间： | 2003年3月3日 |
The Paradox and Variation of Contemporary Aesthetic Culture Subject |
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| WEI Tong-yi,ZHAO Bo-fei.The Paradox and Variation of Contemporary Aesthetic Culture Subject[J].Journal of Xidian University (Social Sciences Edition),2003,13(2):10-13. |
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| Authors: | WEI Tong-yi ZHAO Bo-fei |
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| Abstract: | Based on the analysis of aesthetic of subject domination and scanning contemporary Chinese aesthetic culture with aesthetic of subject domination ,this paper proposes that the fundamental dismension of contemporary Chinese aesthetic culture is aesthetic of subject domination . Owing to this intrinsic subject paradox, contemporary Chinese aesthetic culture has gone through different aesthetic stages which include red sublimity ,tragic ugliness and comic paradox .This type of subject variation is an objective aesthetic reflection of contemporary Chinese social life. And,aesthetic of subject domination is an intrinsic reflection of the nature of aesthetic subject . |
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| Keywords: | Aesthetic of Subject Domination Subject paradox Subject Variation |
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