论苏曼殊《碎簪记》的叙事艺术

在中国文学的艰难蜕变时期,苏曼殊的小说叙事艺术具有探索性的意义。小说《碎簪记》的第一人称叙事视角,使一个三角恋爱的哀情故事多了几分神秘,增添了读者的情绪感。不过由于“余”的“喧宾夺主”,小说的叙事也显得生硬而不圆滑,人物刻画囿于传统而突破不足,凸显了苏曼殊小说的转型期特征。

On Narrative Art Style of Su Manshu's Broken Hairpin

Su Manshu＇s novels are of great exploratory significance in their narrative art style during the tough transformational period of Chinese literature. Approaching from first person narrative perspective, ＂Broken Hairpin＂ gives this love-triangle story some mysteries and brings impressionable melancholy to the readers. With ＂I＂ taking the spotlight, the narration of the novel went awkward rather than smooth; and characters＇ depiction is confined to the traditional style and falls short of breakthroughs. All above-mentioned features characterize Su Manzhu＇s novels during the ＇;ransformational period.