| 从怪变至平淡:贾岛诗风变迁的诗史意义 |
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| 引用本文： | 郭春林.从怪变至平淡:贾岛诗风变迁的诗史意义[J].南昌大学学报(人文社会科学版),2012(2):133-137. |
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| 作者姓名： | 郭春林 |
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| 作者单位： | 广西大学文学院,广西南宁,530004 |
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| 基金项目： | 广西教育厅科研一般项目(201012MS006);广西大学科研基金项目(XBS100004)“韩孟诗派交游及接受研究” |
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| 摘 要： | 贾岛早期的诗歌明显留有韩愈、孟郊奇险诗风影响的痕迹。他因建功立业的理想受挫,渐次变得心灰意冷,其诗风则由奇险倾向,转向清苦奇僻。贾岛诗风的变迁实证了韩愈所倡导的"奸穷怪变得,往往造平淡"的诗歌理论,既反映了他生活遭际的变化,亦折射出其诗歌交游对象的变换。这与韩孟诗派的诗歌创新理论及努力方向是一致的,具有极其重要的诗史意义。
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| 关 键 词： | 贾岛 诗歌创作 诗风变迁 诗史意义 |
From Thorough Grotesquely to Plain:The Significance of Jia Dao Changes in Poetic Style in the History of Poetry |
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| GUO Chun-lin.From Thorough Grotesquely to Plain:The Significance of Jia Dao Changes in Poetic Style in the History of Poetry[J].Journal of Nanchang University(Humanities and Social Sciences),2012(2):133-137. |
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| Authors: | GUO Chun-lin |
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| Institution: | GUO Chun-lin(School of Chinese Language and Literature,Guangxi University,Nanning 530004,China) |
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| Abstract: | Jia Dao as Han Yu’s disciple,his early poetry has obvious signs of influence with the Han Yu and Meng Jiao.With the increase of life experience,frustrated by making contributions to the ideals,he gradually became disheartened,and then his poetic style shifted from extremely grotesquely tendency to extremely secluded and plain.Jia Dao’s poetry changes confirmed the poetic theory that "thorough grotesquely coming to the end,often making plain" advocated by Han Yu.It not only reflects misfortune of his life,but also the transformation of the object in his poetry intercourse.This is consistent with the poetic innovation theory of Han-Meng Poetic School,working in the same direction,with the historical significance of utmost importance. |
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| Keywords: | Jia Dao peotry writing changes in poetic style historical significance of poetry |
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