清代四川寨堡的命名及其文化内涵

宋代诗学及其诗声理论影响着宋代乐学的理论发展与成就，并形成互联互通，较突出的理论是“声词相从”说、“乐为诗作”说和“声转机萌”说。这一融通来自于对先秦“诗言志，歌永言，声依永，律和声”之诗乐合一观念的解释与发扬。“声词相从”说追求声意相谐，最高境界是“声中无字”“字中有声”；“乐为诗作”说强调乐为诗流、志本声用，并批判了宋代诗学与乐学上流行的“声依永”之观念；“声转机萌”说要求声韵要转换、歌诵需转喉等。这些理论是先秦诗乐合一观念的发展，特别是这一观念在宋代诗词曲乐中声律或声音等技巧层面上的具化。

Naming Methods and Cultural Connotations of the Village Forts in Sichuan in the Qing Dynasty

The village fort was an important military defensive settlement in ancient China, whose construction time and space had a close relationship with the local wars. Due to several large scale wars in the Qing dynasty, the villagers in Sichuan province had to build thousands of village forts. The naming methods of village forts can be divided into two categories according to the natural and geographical conditions and socio cultural factors. The former is related to topography, hydrology, earth and rocks, plants, etc., while the latter is related to surnames, temples, gods, traditionally good names, historical figures, myths, images, and local chronicles. The names of the village forts contain rich cultural connotations, reflecting their site selection, construction materials, functions, histories, themes and other contents.