| 禅宗与宋代的尚意书法 |
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| 引用本文： | 窦元章.禅宗与宋代的尚意书法[J].山西大同大学学报（社会科学版）,2010,24(3):12-14. |
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| 作者姓名： | 窦元章 |
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| 作者单位： | 太原师范学院文学院,山西,太原,030012 |
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| 摘 要： | 禅宗发展到了宋代,逐渐渗入到士大夫阶层中,并与那种追求适意自然的人生哲学和追求幽深清远的审美情趣融合,促成了中国式的艺术思维方式的产生,也促成了宋代尚意书法的形成。
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| 关 键 词： | 禅宗 尚意 书法 |
Zen and the Meaning-stressed Calligraphy in Song Dynasty |
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| DOU Yuan-zhang.Zen and the Meaning-stressed Calligraphy in Song Dynasty[J].Journal of Shanxi Datong University(Social Science Edition),2010,24(3):12-14. |
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| Authors: | DOU Yuan-zhang |
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| Institution: | DOU Yuan-zhang(School of Liberal Arts,Taiyuan Normal College,Taiyuan Shanxi,030012) |
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| Abstract: | In Song Dynasty,Zen began to be melted into the life of scholar officials,and was absorbed by the philosophy which was in pursuit of naturalness,and the aesthetic appreciation approach which pursued profoundness and calmness.This accelerated the birth of Chinese artistic way of thinking and also brought along the new concept calligraphy in Song Dynasty which stressed on the meaning instead of the form. |
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| Keywords: | Zen meaning-stressed calligraphy |
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