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| 唐湜的诗歌意象理论 | |
| 引用本文： | 蒋登科. 唐湜的诗歌意象理论[J]. 西南大学学报(社会科学版), 2005, 31(5) |
| 作者姓名： | 蒋登科 |
| 作者单位： | 西南大学中国新诗研究所 重庆市400715 |
| 摘 要： | 意象历来是诗学研究中的重要课题.在20世纪40年代,九叶诗派诗人、诗学家唐湜通过对诗歌历史与现状的考察,对意象及其特征进行了自己的独特描述,认为意象就是诗歌本身而不只是传达手段,意象是灵魂与意志的凝合,是潜意识与意识之间的桥梁,并认为凝定的"姿"是诗歌意象的形态特征. |
| 关 键 词： | 唐湜 意象 传达手段 凝合 桥梁 |
On Tang Shi's Theory of Poetic Image |
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| JIANG Deng-ke. On Tang Shi's Theory of Poetic Image[J]. Journal of southwest university(social science edition), 2005, 31(5) | |
| Authors: | JIANG Deng-ke |
| Abstract: | Image has been an important topic in the research of poetics for long. In the 1940s, Tang Shi, one of the poets and poetic researchers in the Nine Leaves Poetic School, described his theory of poetic image through his inspection of the history and current situation of Chinese poetry. In his mind, image more than poetry itself than just a technique. It is the coagulation of the poet's soul and volition, the bridge of the sub-consciousness and consciousness. This essay aims to sum up his ideas in an objective and just way. |
| Keywords: | Tang Shi poetic image technique coagulation bridge |
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