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论南戏和北曲杂剧在形式体制上的差异及原因
引用本文:穆海亮.论南戏和北曲杂剧在形式体制上的差异及原因[J].殷都学刊,2005(4):60-63.
作者姓名:穆海亮
作者单位:河南大学,文学院,河南,开封,475001
摘    要:南戏和北杂剧同为我国最早成熟的戏曲样式,却在艺术体制上存在显著的差异。造成这种差异的原因既有客观方面的,也有主观方面的。客观方面,二者所处地域不同,所继承的历史传统和吸收借鉴的艺术成分及借鉴方式也就不尽相同;主观方面,二者的创作主体身份不同,其创作目的必然存在差异。

关 键 词:南戏  北杂剧  体制差异  艺术继承  创作主体
文章编号:1001-0238(2005)04-0060-04
修稿时间:2005年9月23日

On the Divergence and the Reason about Southern Drama and Northern Zaju in Formal System
MU Hai-liang.On the Divergence and the Reason about Southern Drama and Northern Zaju in Formal System[J].Yindu Journal,2005(4):60-63.
Authors:MU Hai-liang
Abstract:Both southern drama and northern zaju are the earliest mature traditional opera patterns in our country, but they have distinctive divergence in artistic system. This paper tries to explore the reason of this divergence from both subjective and objective aspects. In objective aspect, they are in different districts, so what historical traditions they inherit, artistic components and manners they draw lessons from are not the same; in subjective aspect, their creators stand in different positions, so their creative targets must be in divergence.
Keywords:southern drama  northern zaju  formal system  artistic inheritance  
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