| 从《余震》到《唐山大地震》的艺术演变 |
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| 引用本文： | 李晓灵. 从《余震》到《唐山大地震》的艺术演变[J]. 北京社会科学, 2012, 0(3): 63-67 |
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| 作者姓名： | 李晓灵 |
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| 作者单位： | 复旦大学新闻学院,上海200043;兰州大学新闻与传播学院,兰州730000 |
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| 摘 要： | 《唐山大地震》以巨大的产业价值和主流意识功能,实现了传播和商业的双重胜利。但是《唐山大地震》对家国意识、传统伦理叙事的强调,遮蔽了《余震》个体书写与心理分析的深刻性,同时也淡化了《余震》人性批判的力度。
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| 关 键 词： | 《余震》 《唐山大地震》 主流意识 商业利益 文化价值 |
The Artistic Evolution of After Shock from Novel to Movie |
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| LI Xiao-ling. The Artistic Evolution of After Shock from Novel to Movie[J]. Social Science of Beijing, 2012, 0(3): 63-67 |
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| Authors: | LI Xiao-ling |
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| Affiliation: | LI Xiao-ling (Fudan University,School of Journalism,Shanghai 200043,China;Lanzhou University, School of Journalism and Communication,Gansu,Lanzhou 730000,China) |
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| Abstract: | After shock,the movie made both communicating and commercial success through its huge industrial value and mainstream ideology function.However,the movie’s overemphasis on family-country collective consciousness and traditional ethical narration not only overshadows the profundity of individual writing and psychological analysis of the novel After Shock on which it’s based,but also weakens its strength of criticism on human nature. |
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| Keywords: | After Shock(novel) After Shock(movie) mainstream ideology commercial interest cultural value |
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