| 浅析唐卡绘画艺术的意境美 |
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| 引用本文： | 尹俊燕.浅析唐卡绘画艺术的意境美[J].西藏研究,2008(3):71-76. |
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| 作者姓名： | 尹俊燕 |
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| 作者单位： | 青海民族学院,青海,西宁,810007 |
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| 摘 要： | 绘画唐卡是唐卡艺术形式中流行最广,也是最为常见的形式.线条和色彩的有机组合和奇妙变化使绘画唐卡呈现出无尽的审美意境.文章从唐卡动静交叠的形象特征、虚实相生的结构手法、情景交融的体验方式来看唐卡绘画艺术的意境关.
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| 关 键 词： | 唐卡 意境 动静交叠 虚实相生 情景交融 唐卡 绘画 艺术形式 意境美 Mood 体验方式 结构手法 虚实相生 形象特征 交叠 审美意境 变化 有机组合 色彩 |
On the Tangkha Drawing Artistic Mood |
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| YIN Jun-yan.On the Tangkha Drawing Artistic Mood[J].Tibetan Studies,2008(3):71-76. |
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| Authors: | YIN Jun-yan |
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| Institution: | YIN Jun-yan(Qinghai Nationalities Institute,Xining,Qinghai 810007,China) |
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| Abstract: | Painting Tangkhas is the most popular and common art form in the entire Tangkha art.Lines and the organic composition and color change makes a painting Thangka wonderfully showing endless aesthetic mood.The article understands the beauty of Tangkha mood from the static and dynamic characteristics of the image,strength of the structure hygiene practices,and the scenes blend way of Thangka painting experience. |
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| Keywords: | Tangkha moods the movement overlap the strength of health blending scenes |
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